Images Courtesy for Queensland Poetry Festival,

It’s been 10 months, since a live poetry event for the Queensland Poetry Festival (QPF). So, it was perhaps this that led to such anticipation and a within minutes booked out venue for the first Volta (an Italian term for the ‘turn’ in thought or argument in a sonnet, although we weren’t required to perform sonnets) at the Brisbane Square Library.

Thankfully a move to a larger venue at the same library was possible, and that was again rapidly booked out.

Covid 19 has altered so many art events, festivals, performances and pushed them into adaptations which include an expanded use of online performance and workshops.

Panacea Poets, was one such innovation of the QPF, and involved 46 poets recording their performances and sharing them in an online curated youtube channel.

Yet the yearning for real space, not cyberspace poetry is not completely fulfilled by these adaptations. Why?

Once many years ago, I listened to Anthony Warlow, sing live in Phantom of the Opera.  Nothing prepared me for just how powerul and moving his voice in person actually was. 

The music resonated through my bones and muscles in a way that an online and recorded rendition could never do.

So, it is with this backdrop that a group of three poets, Kylie Thompson, June Perkins, Samuel Watson were hosted by the Queensland Poetry Festival and the Brisbane Libraries, for the very first Volta (now replacing the couplet program).

The audience were warm and welcoming.  Everyone was excited, and ‘pumped’ especially as Sam was to do his first performance in Brisbane for a few years. Margaret, a regular to QPF events, welcomed me and wished me well for my reading. Luminaries such as Shastro Deo who I have known through Instagram and her stellar poetry career and elsewhere, were completely approachable.

Zenobia Frost, herself a venerable poet, was the host of the proceedings.  She welcomed us, with good humour and enthusiasm and acknowledged the traditional owners of the land upon which we read our poetry. 50 people attended (the maximum the library allows under still continuing covid19 restrictions).

For Kylie, this was her first live reading (not that you would know it, she did brilliantly!). 

A poet and writer based in Redcliffe, Kylie was shortlisted for the Thomas Shapcott Prize in 2020. 

‘The thing about lying it’s really easy to get addicted to the … touch of your own genius and so he get’s cocky and starts to assume he’s the smartest in the room no matter what the room, starts to half arse the effort but rev up the execution’  (Five Days & a Gaslight Anthem)  

Kylie Thompson

She shared with us 4 astounding poems, ‘Lysithea in Crescent’, ‘Five Days & a Gaslight Anthem’, ‘Hexcraft’, and a recently written poem, ‘Some Days, Your Bed Is A Coffin.’ Some of Kylie’s work will be included in upcoming anthologies.

‘Five Days & a Gaslight Anthem’ and ‘Some Days Your Bed Is A Coffin,’ were particularly potent pieces, especially for anyone who has experienced gaslighting, or those days when you just don’t want to face the day.

Next was myself, reading 6 poems, with a backdrop of slides from illustrators of the poems or to share aspects of culture such as the totem, a Bird of Paradise, of my Mekeo mother.

Zenobia read my biography and explained that she had met me through engaging me for ‘Panacea Poets’, a video youtube project during the pandemic lock downs.

Ivi   Ivi na   Alaka

Komo  oma  afa    itsima  imimi

Ana paiga  Ane Kaina (River Song, in Maipa Language)

June Perkins , Translated by Cornelia

I read ‘Dear Artist, ‘Dust’ and ‘Bird of Poetry’ from Illuminations, a collection dedicated to the bicentennial of the Birth of Baha’u’llah; a poem from Tokens on the bushfire seasons in Australia, ‘River Song’ from my children’s collection, Magic Fish Dreaming, but in Maipa village language to honour my PNG heritage.

This was followed by a shout out to young appreciators of poetry to the youngest audience member, a small child. I read a poem ‘Sleipnir’s Children’ (God of Horses) included in Creative Kids Tales Story Collection2, especially for him. Without the young appreciating poetry how can we keep the form alive! I finished with a short piece inspired by Irene Chou’s (1924-2011) abstract art, ‘Universe Within Our Hearts’ also included in Tokens.

 We learn, yet forget, in the cataclysm of our birth
 the owl songs of Muk-Muk;
 the death feather, and reacquainted we shall be
 in the sunset of our mortality.
 (The call of the strange bird is heard …)

 The didjeridu sits in the corner of my room
 near the window, ghosts breathe
 my frailty of spirit
 resonates in the acoustics of this gouged plain.
 (… on the pipe of the breathing floor …)

From Samuel Wagan Watson Love Poems and Death Threats 

The evening ended with a short amount time for catching up with other poets, and appreciators of poetry, and some official photographs. I was delighted to find out that the library has now stocked my poetry book and it will be available there for people to borrow. There is nothing quite like the thrill of seeing people with a copy of your book, purchased or borrowed from the library!

A few of the poets and their friends, lingered outside the closed library, just to celebrate the joy of poetry and the thrill of being able to hear it live!

You can find out more about the poets and how to purchase their works and QPF here:

Samuel Wagan Watson

Kylie Thompson

June Perkins

Volta – Queensland Poetry Festival

Queensland Poetry Festival Facebook

The next Volta is already booked out! It will feature Amanda Thomas, Emma Simington, and Luke Best! (Yes I booked in, in time! )

Poetry is definitely having it’s turn during the journey out of the pandemic.